My Top 10 Films of 2007
sushipanda 2 Comments »Unfortunately, because I don’t travel back to the States very much I have to rely on a steady stream of bootlegged DVDs to catch up to movies back home. Add to that the fact that I’m extremely picky about picture and sound quality when I watch a film in any setting, and basically I’m stuck waiting for the DVDs of the films I want to watch to get officially released so that Chinese bootleggers can rip matching copies for us unscrupulous buffs in China. Therefore, nearly three months after the end of 2007, I finally feel like I’ve seen enough of last year’s films this year to write about the list I’ve been compiling in my head the past few months: my top 10 films of 2007.
Yes, the Oscars are way way over, friends of mine have seen some of these pictures twice over, and no one reads this blog anyway, so why bother? Well, it’s fun for me, I guess, and in the spirit of Juno MacGuff, “Phuket Thailand!” Here we go:
1. There Will Be Blood – Paul Thomas Anderson has created a masterpiece through the story of the professional but ferociously single-minded oil tycoon Daniel Plainview. Tension runs through the veins of the entire narrative, surfacing for the occasional eye-popping scene of emotional or physical violence. Daniel Day Lewis deservedly wins the Oscar for his performance as a man whose decay as a human being is just as vicious and throttling as the obsession that eventually engulfs him. A wonderful thing to look at and remember.
2. Once – Two adrift characters who begin to care and maybe even love each other through the pricelessness of shared music. A musical and a romance for those of us who’ve dealt with sadness and optimism, often at the same time. Great songs and great performances by people who seem real and too good to be true at the same time. To be all of these things is an impressive feat, and “Once” is a real treasure of a movie.
3. The Diving Bell and the Butterfly – Kudos to Julian Schnabel and cinematographer Janusz Kaminski for creating a visual world that is lush in color and composition, all from the point of view of one man’s single, functioning eye. The true story of a fashion magazine editor in France who becomes crippled and unable to move any part of his body save for his left eye, “Diving Bell” succeeds in highlighting life’s impermanence, all against a backdrop of poetry and irony and music and color that shows Schnabel’s an artist of uncanny depth and innovation.
4. 4 Months, 3 Weeks and 2 Days – A story of a woman’s persistence and loyalty in securing an illegal abortion for her roommate and friend during Romania’s communist regime. All the action takes place in less than one day, and a sense of dread permeates the film from beginning to end as the audience braces itself for calamity. Finally, there is less inspiration found in the commitment one friend makes to another as there is a sobering sadness at what she has had to give up to do so. A fucked up, powerful piece of work that’s hard to forget.
5. Ratatouille – One film critic I read referred to Brad Bird as animation’s favorite Ayn Randian. Sure, he values talent and superiority, but probably because he’s an uber-man himself when it comes to crafting perfect narratives. The scene where Anton Ego bites into that first bit of ratatouille and is suddenly thrown back into the innocence and purity of his childhood is how I felt after watching this movie.
6. No Country for Old Men – Every scene with Javier Bardem as the unforgettable psychopath Anton Chigurh is each worth the 10 RMB I paid for the whole film. Perfectly composed and paced and acted, it is Chigurh that makes me want to watch this over and over again. The Coens created a villain so scary that all we want to see is him; not an easy accomplishment for people who are used to heroes; there really aren’t any in this one.
7. The Bourne Ultimatum – Not a second is wasted in this frenetic, heart-thumping third Bourne film. But it’s the quieter moments that I’ll remember, including when Bourne asks Nikki why she is still helping him, and she hints at a history that never surfaces on screen, but makes total sense for those of us who have invested in Bourne’s lost journey. And why wouldn’t she help him, he’s a badass! And this is a badass film befitting Bourne, raw but smart and intense and crazy fun.
8. Juno - I really didn’t think I’d like this film going into it, and for the first forty minutes I was pretty confident that I hadn’t. But then a funny things happened: Juno MacGuff became less annoying and more real (and she also stops talking like a snarky 30 year old for a while), and before I knew it I was grinning ear to ear watching her realize who she really loves and why she hadn’t recognized it before. Ok man, I’m a softy when it comes to underdog love stories, but “Juno” does hit some lovely notes in the second half (when she runs into the Jennifer Garner at the mall, when she tells Pauly how she feels, the ending) and thus justifies its spot here in the Panda Top 10.
9. This is England – I can’t testify to the authenticity of this period film that takes place during the urban downside of England in the early 80’s; there’s a lot that I can’t reference or identify with. But this is still a great coming-of-age tale, a loss of innocence that turns out not be cheesy but remarkably sad and mature. Nothing too stylistically fancy here, but the great acting and its attention to how greater forces can push and pull bonds and beliefs apart make this one of the best movies I’ve seen in a long time.
10. Michael Clayton – This is Bourne in reverse; people who lose their humanity and die meta-deaths while their bodies keep on ticking. The real acting gem in this movie is not Clooney or Tilda Swinton (who won the Oscar), but Tom Wilkinson as a lawyer who pays the price for finding his true self again. Very slick and frightening, just like a corporate lawyer should be. The ending felt a little too implausible, but was still satisfying.
Honorable mentions include: Into the Wild, Across the Universe, The Lookout, No End in Sight, Away From Her, Knocked Up, Before the Devil Knows Your Dead, Gone Baby Gone.







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